Buy a T-Shirt, Help the NHS Save Lives

tshirt mock up

COVID-19 is affecting all of us in one way or another. For a lot of us, it will come all too close to home. None of us ever imagined that something like this would happen during our lifetimes, especially not on this scale. We are all relying on ourselves and each other to act responsibly right now, in order to fight this thing. We can do this by maintaining social distance and staying home as much as possible. Our country is also heavily reliant on the NHS, who are going at it, tooth and nail, 24/7, to save lives. The strain they are under is extraordinary, and we owe them so much.

I wanted to do my bit to help support the NHS. So here’s a t-shirt design depicting a group of people flouting the rules of social distancing (NO), and a person standing solitary (YES). Never before has self-isolation been so in-vogue.

So, do you like t-shirts? Do you despise COVID-19? Do you love the NHS? If you answered ‘yes’ to all three questions, then this t-shirt is for you.

100% of profits will go to NHS Charities Together.

BUY YOUR T-SHIRT HERE!

tshirt design

Recorded Zygote Poems Now Streaming on Cultured Llama’s Website

A couple of my ‘Zygote Poems’ have been recorded and set to electronic soundscapes thanks to friends Dragonfruit Planet and Veneer, with ‘Zygote Poem’ itself featuring the in-womb heartbeat of my daughter. Click here to head to the Cultured Llama website where you can read more about the project and listen to both tracks.

Remember, books are good for you, and so, you can buy ‘Zygote Poems’ in all of its paper and soft-cover form, right here.

2019: Album by Album (in Review)

Twelve months ago, in January 2019, I decided to note down every album and EP I listened to that year, as well as any new-to-me individual songs I actively discovered, in a notebook – the traditional way it’s done – as both something cool to look back on in years to come, and an incentive to discover more music, whether that’s new releases or albums I had been meaning to check out for years but hadn’t got around to. However, having barely started, it occurred to me that I could make this obsessive journey into discovering more music even more obsessive by blogging my journey every month. And so, if you scroll down through this blog you will find every month’s worth of listening for your perusal.

Having completed the task at the end of December, naturally, I have now had a couple of weeks to take a break and take stock of my journey. I say take a break, but actually, by doing this I had re-instilled a passion to actively check out new albums on what has been pretty much an everyday basis, so in one sense, my journey has only continued. The only difference is, I’m no longer blogging it.

Ultimately, what I learnt from doing this was that there is a never-ending supply of good music out there waiting to be discovered. It was exciting to listen albums that I had neglected for so long, like ‘How It Feels to Be Something On’ by Sunny Day Real Estate, a band whose debut I obsessed over so much that I neglected the rest of their catalogue (it was in equal parts gutting to know I had been missing out such an incredible album in full for all this time, having first discovered Sunny Day Real Estate and becoming obsessed with ‘Diary’ some fifteen years ago); it was also exciting to discover bands and albums that I hadn’t heard before, whether it was a 2019 release like ‘Schlagenheim’ by Black Midi, or an older release that had passed me by, but I have since fallen in love with, with like ‘Any Other City’ by Life Without Buildings. I even discovered albums that had passed me by that have now become some of my favourite albums ever, like ‘Black Phantom Crusades’ by Red Animal War, a band who had a few tracks I had loved for years, but regretfully never delved into further.

Similarly enjoyable was listening to albums and EPs by friends’ bands, and from people I know on the scene like ‘Taut Orchestras’ by Tripper (as well as the single, ‘Pilot Error’, from their upcoming collab album with Mike Watt), ‘Big Storm Coming’ and ‘Heaven’s Gunships’ by Broker, ‘Turbo Island’ by Steve Strong’, ‘Young and Cool’ by Woahnows, ‘Everyone Will Fall’ by The Natural 20s, ‘To Set Things Right’ by The Bell and the Hammer, and ‘Tiny Fires’ by SPACESHIPS, reminding me that I am surrounded by, if not connected to, hugely talented musicians. And, although it wasn’t a genre I listened to huge amounts of in 2019, I should give a nod to fellow poet, and in fact someone whose poetry I really admire, James Turner, for introducing me to classical music in the form of Shostakovich and Henryk G√≥recki, which I found to be really nice to listen to whilst drawing.

As the year went on, I found myself getting more and more glued to checking out albums from 2019. As soon as I listened to one, I discovered another, and there were just so many great albums being released last year that I was unable stop. This is why the latter half of my blog posts are particularly saturated by 2019 releases, resulting in my album of the year list. As I write this I am listening to my 7th 2020 release of the year, so it is safe to say that obsession has continued, and there will probably be another extensive album of the year list from me come late December 2020, but hey, there are much worse things I could get obsessed with. At least I’m eating all my vegetables and washing myself regularly.

2019, in fact, was such a great year for music, that not only did a lot of my favourite bands release new music, including The Appleseed Cast, my favourite band ever, who put out ‘The Fleeting Light of Impermanence’, which (completely unbiased-ly) made the number one spot on my AOTY list, but my top ten albums of 2019 alone consisted of six albums by bands that were new to me: Bars of Gold, Prince Daddy & the Hyena, Heartscape Landbreak, Outer Spaces, One True Pairing, and Pile.

To round things up then, here are my favourite discoveries from each month of my journey (I have purposefully chosen albums/EPs that were completely new to me as opposed to old favourites, to make it more fun for myself if not anyone else – who is actually reading this anyway?), with an alternative highlight track, as well as my favourite individual song I heard that month (so, a track that I heard by itself, and not part of an album I had checked out – I know, this is anal, and overly specific, and all those things – welcome to the cogs of my constantly overworking and anxiety-ridden brain). Before that though, because this wasn’t all obsessive enough, as I went along I put a song or two from every album and EP I listened to in 2019, as well as those individual tracks I mentioned, in a Spotify playlist, which now clocks in at 26 hours and 1 minute in length, which you can follow here.

    Highlights
    January

Album: Rob Crow’s Gloomy Place, ‘You’re Doomed. Be Nice.’ Highlight: ‘Yie Air’.
Individual track: Mineral, ‘Your Body Is The World’.

    February

Album: Sunny Day Real Estate, ‘The Rising Tide’. Highlight: ‘Killed By An Angel’.
Individual track: Unwed Sailor, ‘Heavy Age’.

    March

Album: American Football, ‘American Football (LP3)’. Highlight: ‘Heir Apparent’.
Individual track: Youth Pictures of Florence Henderson, ‘All I Remember is Punk Rock’.

    April

Album: Owls, ‘Owls’. Highlight: ‘For Nate’s Brother Whose Name I Never Knew Or Can’t Remember’.
Individual track: Outer Spaces, ‘Teapot #1’.

    May

Album: Heartscape Landbreak, ‘The Remedy’. Highlight: ‘Resentment Teeth’.
Individual track: Modest Mouse, ‘Poison the Well’.

    June

Album: The Appleseed Cast, ‘The Fleeting Light of Impermanence. Highlight: ‘Chaotic Waves’.
Individual track: Lightspeed Champion, ‘Waiting Game’.

    July

Album: Outer Spaces, ‘Gazing Globe’. Highlight: ‘Album for Ghosts’.
Individual track: Land of Talk, ‘Heartcore’.

    August

Album: Prince Daddy & the Hyena, ‘Cosmic Thrill Seekers’. Highlight: ‘Cosmic Thrill Seeking Forever’.
Individual track: Shield Your Eyes, ‘Drill Your Heavy Heart’.

    September

Album: Bars of Gold, ‘Shelters’. Highlight: ‘Atlantic City’.
Individual track: Brightside, ‘Just Like Dancing’.

    October

Album: Danny Brown, ‘uknowhatimsayin?’. Highlight: ‘uknowhatimsayin?’.
Individual track: SPACESHIPS, ‘Tiny Fires’.

    November

Album: Pile, ‘Green and Gray’. Highlight: ‘Bruxist Green’.
Individual track: Tindersticks, ‘Pinky in the Daylight’.

December

Album: Big Thief, ‘Two Hands’. Highlight: ‘Forgotten Eyes’.
Individual track: Tripper + Watt, ‘Pilot Error’.

2019: Album by Album (December)

Here it is. The final month of my 12-month head-first dive into actively trying to discover more music. If you have followed my journey since beginning all the way back in January 2019, then thank you. I plan on doing a round-up blog post in the next week or so highlighting my favourites from each month and talking a bit more about what I discovered.

For now, here’s everything I listened to in December (that I hadn’t already listened to before, hence the absence of any Christmas songs that have occupied the last couple of weeks – when you have a 7 year old child, that does happen). As you will see it is mostly made up of 2019 releases, as there was a bunch of stuff (not to mention the 300+ 2019 albums I wanted to check out but didn’t get around to) I wanted to listen to before the year was out. I was 3 albums short from being able to compile a top 100 list, having checked out 97 albums from 2019, and so I made a top 90 list instead. Check it out here, and leave your own 2019 lists in the comments (disclaimer: if I was to make the list today it would look quite different, records by Big Thief, Kim Gordon, Jimmy Eat World, and Pedro the Lion would be higher, etc. I am actually listening to ‘Two Hands’ by Big Thief again as I write this).

Hey. Do you like Spotify playlists that are 327 all-awesome songs in length? Then this playlist, which contains a song from every album I listened to in the last twelve months (that I liked), and every individual song I heard that I hadn’t encountered previously, is for you. Ideal for playing on shuffle.

Albums and EPs

Neil Young with Crazy Horse, ‘Colorado’ – Crazy Horse is back and this album is definitely up there with some of Young’s best work. It swings from ballsy and raw to tender and sweet, as you’d expect from a Crazy Horse album, and it’s not shy of those epic crunchy riffs and jams. Highlight: ‘Help Me Lose My Mind’.

Alcest, ‘Spiritual Instinct’ – Alcest combine metal with elements of shoegaze and post rock to create something that does sound quite spiritual. I had heard a lot of hype around this record. Ultimately, it wasn’t really for me. Having said that it did have its moments. Highlight: ‘Projection’.

Great Grandpa, ‘Four of Arrows’ – A mash of indie rock and pop punk, with slight radio-friendly country pop tinges here and there. It brushes too close to Taylor Swift territory too often me. Highlight: ‘Digger’.

SPACESHIPS, ‘Tiny Fires’ – Fusing elements of shoegaze, post rock, and dream metal to create four tracks which are in turn epic, dramatic, and heartfelt. Highlight: ‘Magnetic’.

The Glow, ‘Am I’ – Mike Caridi of LVL UP returns bringing the fuzzy indie rock that made LVL UP so comforting to the table again, but this time with added pop and psych influences. Highlight: ‘Weight Of Sun’.

Fever Ray, ‘Fever Ray’ – I remember being completely compelled by the sound of this album and the eerie mood it sets. Karin Dreijer, also known for her work with The Knife, delivers 10 tracks of a brooding, moody, haunting deposition fusing electronic, ambient, alternative, and art pop. Highlight: ‘Seven’.

Big Thief, ‘Two Hands’ – This second album from Big Thief this year isn’t as immediate as the first (which I listened to last month), but is still an album of stunning indie-folk worth talking about. Highlight: ‘Not’.

Tool, ‘Fear Inoculum’ – I was aware Tool had a new album out this year but hadn’t really considered giving it a listen until a friend brought it up. My knowledge of Tool is limited to seeing 30 seconds of their video for Schism on Kerrang! back in the day which didn’t do anything for me. I thought I’d give this a go though, as tastes often change. If I’m honest, it wasn’t for me, which for an album that clocks in at 1hr 26mins, is quite a big commitment. However, during that time, I did find the odd riff or rhythm that pricked my ears up. Highlight: ‘Chocolate Chip Trip’.

Tyler, The Creator, ‘IGOR’ – I tried listening to this earlier in the year, but after a couple of tracks I had to stop as I found it grating. I thought it I would give it another go, this time committing to the full album. There are some cool moments here and there, but overall I found it a bit annoying. Highlight: ‘WHAT’S GOOD’.

Kim Gordon, ‘No Home Record’ – A blistering art rock record which is charismatic and playful as much as it is relentless and important. Kim Gordon’s signature husky and evocative vocal is ever-present, and so it instantly appeals to the Sonic Youth fan in me. The chorus of ‘Air BnB’ could easily be from a Dirty-era Sonic Youth song. Similarities aside though, there’s a lot of new sounds and moods explored, as well as cut-up experimental-ism and noise for this debut solo album to stand on its own two feet. Highlight: ‘Murdered Out’.

MONO, ‘Nowhere Now Here’ – Grandiose, climatic post-rock which shifts between quiet and loud, graceful and heavy. There’s not a lot I can say about this record that hasn’t been said about other post-rock albums of this nature, but it’s a solid album nonetheless. Highlight: ‘Meet Us Where the Night Ends’.

Bat For Lashes, ‘Lost Girls’ – An atmospheric mix of art pop, electronic, and synth-pop, with elements of new wave. The songs swing between brooding and melancholic to euphoric and hypnotising, with a mysterious smokiness underlying throughout. Highlight: ‘Jasmine’. Bonus highlight (because it’s one of the best instrumentals I’ve heard this year): ‘Vampires’.

Tripper, ‘Taut Orchestras’ – A blistering EP which brings punk, post hardcore, indie rock and pyschadelic rock to a boil and then spits it in your face with a sly wink and a cheeky grin. Highlight: ‘All the Heartache’.

Cassels, ‘The Perfect Ending’ – An idiosyncratic mix of indie rock, rock and roll, and punk, going from big, ballsy riffs to clean, tender chords, and underscored by half spoken, half sung vocals that lean on social commentary and politics. Highlight: ‘A Snowflake in Winter’.

Thurston Moore, ‘Spirit Counsel’ – Clocking in at 2hrs 28mins, Spirit Counsel consists of just three tracks that bridge the gap between noise rock and post rock. I have to say, although this was by no means un-enjoyable, I’m not sure these tracks justified being so epic in length. On the rare occasion that these mainly-guitar-based pieces changed their motif it was a much welcomed breath of fresh air. I am almost certain though that it was Thurston’s intention to take the listener right to the brink before giving them any relief. Highlight: ‘Alice Moki Jayne’.

Horse Jumper of Love, ‘So Divine’ – A hypnotic mix of slowcore and indie rock, with the occasional grunge undertone, lyrically capturing memories and making them into bigger things. Highlight: ‘Volcano’.

    Individual tracks I hadn’t heard before

SPACESHIPS, ‘Babel’ – Spotify put on this track after I had listened to their ‘Tiny Fires’ EP, and I will be checking out the rest of this album in due course, for sure. SPACESHIPS definitely have ‘their’ sound down.

Try, Try, Try, ‘Give It Up’ – A saccharine slice of electronic-enthused indie pop from the same man that otherwise goes by the name Luke Leighfield.

Poolside, ‘Harvest Moon’ – A chilled electronic cover of Neil Young’s classic. Stunning.

Outer Spaces, ‘Children Love To Run’ – The b-side to ‘Teapot #1’ which was put out earlier in the year as part of Saddle Creek’s Document series is a slightly more jangly, upbeat affair.

Tripper + Watt, ‘Pilot Error’ – Shortly after listening to their EP ‘Taut Orchestras’, they dropped this exploding bomb of unrelenting, angular, and immediate punk rock, again with that trademark edge of post hardcore, indie and psychadelic rock. This first-released song from the upcoming Tripper and Mike Watt collab album promises exciting things to come.

Neil Young, ‘One of These Days’ – Mellow and tender Harvest-Moon-era-Young. Can’t go wrong.

Album of the Year, 2019

At the beginning of 2019 I decided to blog every album I listened to this year, whatever year it was released. As the year got underway, I was checking out the odd 2019 release, but it was at the beginning of summer that I really got obsessed with just listening to albums released this year, and as such, on top of everything else I listened to in January, February, March, April, May, June, July, August, September, October, November, and December, I also listened to 97 albums released in 2019. When I got to no. 90, I admit I tried to push it to get to a nice round 100, however, with having a 7 year old child and Christmas approaching, it didn’t happen. So, to keep things rounded, here’s my top 90. My picks range from folk, to indie, to math rock, to hip hop, to electronic, and so it goes on. So hopefully you’ll find something you like here. I listened to every album at least three times and based my rankings mainly on which record I would most like to hear again.

I would love to know what your Album of the Year lists look like, post them in the comments!

If you like Album of the Year Spotify playlists, you may enjoy my top 20 playlist here.

90. Guided By Voices, ‘Sweating the Plague’

89. Kindness, ‘Something Like A War’

88. Solange, ‘When I Get Home’

87. Snoop Dogg, ‘I Wanna Thank Me’

86. Fresh, ‘Withdraw’

85. Rust Ring, ‘Genuine Me’

84. The Natural 20s, ‘Everyone Will Fall’

83. Bonnie ‘Prince’ Billy, Bryce Dessner, eighth blackbird, ‘When We Are Inhuman’

82. Erland Cooper, ‘Sule Skerry’

81. French Vanilla, ‘How Am I Not Myself?’

80. Thurston Moore, ‘Spirit Counsel’

79. Anna Flyaway, ‘Tomorrow I Will Take a Knife to Your Confidence’

78. Cassels, ‘The Perfect Ending’

77. Holding Patterns, ‘Endless’

76. Guided By Voices, ‘Warp and Woof’

75. PUP, ‘Morbid Stuff’

74. Mac Demarco, ‘Here Comes the Cowboy’

73. Narco Debut, ‘Strange & Ever-Changing Depths’

72. Mattiel, ‘Satis Factory’

71. Pixies, ‘Beneath the Eyrie’

70. Pond, ‘Tasmania’

69. Horse Jumper of Love, ‘So Divine’

68. Alcest, ‘Spiritual Instinct’

67. Maricka Hackman, ‘Any Human Friend’

66. where is my spaceship, ‘never unhappy’

65. Blood Orange, ‘Angel’s Pulse’

64. Homeshake, ‘Helium’

63. Refused, ‘War Music’

62. The Glow, ‘Am I’

61. Leonard Cohen, ‘Thanks for the Dance’

60. Lambchop, ‘This (is what I wanted to tell you)’

59. Mark Kozelek With Petra Haden, ‘Joey Always Smiled’

58. Vampire Weekend, ‘Father of the Bride’

57. Oso Oso, ‘basking in the glow’

56. Weyes Blood, ‘Titanic Rising’

55. Otoboke Beaver, ‘Itekoma Hits’

54. Better Oblivion Community Center, ‘Better Oblivion Community Center’

53. Bat For Lashes, ‘Lost Girls’

52. Long Hallways, ‘Close Your Eyes to Travel’

51. J. Robbins, ‘Un-Becoming’

50. Astronoid, ‘Astronoid’

49. Jimmy Eat World, ‘Surviving’

48. Metronomy, ‘Metronomy Forever’

47. Foals, ‘Everything Not Saved Will Be Lost, Part 1’

46. Foals, ‘Everything Not Saved Will Be Lost, Part 2’

45. Panda Bear, ‘Buoys’

44. Sun Kil Moon, ‘And I Also Want to Die in New Orleans’

43. MONO, ‘Nowhere Now Here’

42. Old Solar, ‘SEE’

41. The Messthetics, ‘Anthropocosmic Nest’

40. Kim Gordon, ‘No Home Record’

39. glass beach, ‘the first glass beach album’

38. Halls, ‘Infinite Loss’

37. Jenny Hval, ‘The Practice of Love’

36. Bill Callahan, ‘Shepherd in a Sheepskin Vest’

35. Jenny Lewis, ‘On The Line’

34. Ada Lea, ‘what we say in private’

33. Cultdreams, ‘Things That Hurt’

32. Steve Strong, ‘Turbo Island’

31. Woahnows, ‘Young and Cool’

30. Battles, ‘Juice B Crypts’

29. Cursive, ‘Get Fixed’

28. Wicca Phase Springs Eternal, ‘Suffer On’

27. Neil Young with Crazy Horse, ‘Colorado’

26. Anamanaguchi, ‘[USA]’

25. Big Thief, ‘Two Hands’

24. Stef Chura, ‘Midnight’

23. La Dispute, ‘Panorama’

22. Strange Ranger, ‘Remembering the Rocket’

21. Avey Tare, ‘Cows on Hourglass Pond’

20. Beirut, ‘Gallipoli’

19. Slaughter Beach, Dog, ‘Safe and Also No Fear’

18. Snooze, ‘Familiaris’

17. Unwed Sailor, ‘Heavy Age’

16. John Vanderslice, ‘The Cedars’

15. Danny Brown, ‘uknowwhatimsayin?’

14. Big Thief, ‘U.F.O.F’

13. Black Midi, ‘Shlagenheim’

12. Mini Mansions, ‘Guy Walks Into A Bar’

11. Pedro The Lion, ‘Phoenix’

10. Pile, ‘Green and Gray’

9. One True Pairing, ‘One True Pairing’

8. The Get Up Kids, ‘Problems’

7. Remo Drive, ‘Natural, Everyday Degradation’

6. Outer Spaces, ‘Gazing Globe’

5. Heartscape Landbreak, ‘The Remedy’

4. Prince Daddy & the Hyena, ‘Cosmic Thrill Seekers’

3. Bars of Gold, ‘Shelters’

2. American Football, ‘American Football’

1. The Appleseed Cast, ‘The Fleeting Light of Impermanence’

2019: Album by Album (November)

From chiptune-inspired rock to Mark Kozelek talking for 19.5 minutes, here’s everything I listened to in November (that I haven’t already blogged), in one neat and tidy list for your perusal.

You can scroll through my blog to see what else I’ve been listening to this year, and if you like, you can follow my Spotify playlist, in which you will find an ever-expanding selection of songs that I’ve enjoyed listening to over the course of 2019.

    Albums and EPs

John Vanderslice, ‘The Cedars’ – John Vanderslice said ‘Dagger Beach’ would be his last album and over the years got lost in his depression. With the encouragement of his label and producers we went back into the studio and worked on this album from the ground up, experimenting with noise and electronics to create something more experimental than his previous work. Highlight: ‘I’ll Wait For You’.

Battles, ‘Juice B Crypts’ – The new album feels like the most difficult listen of their discography, but after a few listens, it doesn’t feel all that far away from ‘La Di Da Di’. Highlight: ‘Last Supper On Shasta Pt. 1’.

Various Artists, ‘Let’s Just Do It And Be Legends’ – A strong compliation from Big Scary Monsters of punk, indie, post hardcore, post rock, math rock, and more from some of the label’s best bands on their current roster. Highlight: mewithoutYou – ‘Kirsty w/ the Sparkling Teeth’.

Pile, ‘Green and Gray’ – Pile mix indie rock with post hardcore and post punk, swinging from big ballsy riffs to sweet melodies. This is my first foray into Pile, and this album currently stands at no. 10 on my AOTY list. Highlight: ‘Lord of Calendars’.

Mark Kozelek With Petra Haden, ‘Joey Always Smiled’ – As ever Mark Kozelek isn’t happy with putting out one album in a year, so along with this year’s Sun Kil Moon effort which you can find in June’s blog post, this record expands on his ever-more-talky output with some really beautiful songs. Highlight: ‘1983 Era MTV Music is the Soundtrack to Outcasts Being Bullied By Jocks’ and I’ve got to give a nod to this heart-tugging cover of ‘The Power of Love’.

Big Thief, ‘U.F.O.F’ – A stunning album of folk and indie, with some incrediblly intricate yet catchy songs, and a whole host of dreaminess to boot. Highlight: ‘Cattails’.

Pixies, ‘Beneath the Eyrie’ – Having listened to the last two albums in April, and having enjoyed ‘Indie Cindy’ but not so much ‘Head Carrier, I was looking forward to checking this new one out to see if the band would redeem themselves. I liked a handful of these songs, but overall it felt like it was lacking some oomph. Highlight: ‘On Graveyard Hill’.

Halls, ‘Infinite Loss’ – Originally put out in instalments, I blogged about the first two parts last month. Now we have the full body of work, in which Halls takes more experimental pop approach to his unique brand of brooding indie on an album which mourns the loss of his dad and losing himself in the process. Highlight: ‘Hallelujah’.

Snooze, ‘Familiaris’ – This album manages to be mental and melodic at the same time. It’s math rock brushed with a pop glaze. Highlight: ‘Dig Doug’.

The Appleseed Cast, ‘Two Conversations’ – With recent repress of this album on vinyl, it brought me back to an Appleseed Cast record that I hadn’t listened to in a while and I was instantly reminded of how good it is. Arguably their most accessible album and one that brought them as close to a mainstream audience as they will ever get, it borrows indie rock and pop sensibilities to mix with their unforgettable emo/post-rock sound. Highlight: ‘Hello Dearest Love’.

Anamanaguchi, [USA] – An exciting fusion of chiptune and rock music. This album powerful, energetic, and vibrant. Highlight: ‘On My Own’.

glass beach, ‘the first glass beach album’ – On the basis that I liked the new Anamanaguchi record, it was recommended that I check out glass beach. This is another fun, idiosyncratic, and experimental album that fuses so many genres I struggled to keep count. Highlight: ‘classic j dies and goes to hell part 1’.

Erland Cooper, ‘Sule Skerry’ – A moving album which draws on modern classical and alternative music alike. The second album in a triptych that sets out to capture the spirit and the soul of the Orkney Islands. Highlight: ‘Spoot Ebb’.

Leonard Cohen, ‘Thanks for the Dance’ – Having partly recorded these songs that didn’t make ‘You Want It Darker’ before his passing, he left them to his son to complete with the help of friends. The vocals, which at this point in his life, his Leonard talking rather than singing, are very much the centre-point of each track, and hark back to his poetry-reading days. Highlight: ‘Happens to the Heart’.

Mattiel, ‘Satis Factory’ – For the most part this is a solid album of indie, pop, garage rock, and blues. I did however feel there were a few cliches and over-borrowing of ideas in parts. Highlight: ‘Keep The Change’.

Anna Flyaway, ‘Tomorrow I Will Take a Knife to Your Confidence’ – Before Empire! Empire! I Was A Lonely Estate, Keith Latinen was making music under the name Anna Flyaway, and recently went back to complete and release the album that had been shelved, in which you can hear the groundwork being laid for his musical output to come. Highlight: ‘The Low Light Before Dawn’.

Guided By Voices, ‘Sweating the Plague’ – I had mixed feelings about their other album this year, ‘Warp and Woof’, when I listened to it back in September. Of the two though, that is the one I definitely prefer. There was the odd moment on this new one that I enjoyed, but overall, I found it pretty boring. Highlight: ‘Downer’.

    Individual songs I hadn’t heard before

John Vanderslice, ‘Exodus Damage’ – A catchy, arty, indie song. John Vanderslice always delivers.

Hiss Golden Messenger, ‘Happy Birthday, Baby’ – Indie-folk. A massive earworm burrowing it’s way through this one.

Scott Walker, ‘Jackie’, ‘When Joanna Loved Me’ – Classic crooning pop but with something just slightly ‘off’ about it, which makes it way more interesting.

The Walker Brothers, ‘No Regrets’, ‘The Electrician’ – ‘No Regrets’ is a classic pop song from the band that started Scott Walker off. ‘The Electrician’ is brooding and idiosyncratic. Both are great in their own way.

Tindersticks, ‘Pinky in the daylight’ – I’m not sure how, but instead of listening to ‘The Electrician’ by Scott Walker, I ended up listening to this (all the whilst thinking I was listening to ‘The Electrician’). It wasn’t until I went to listen to ‘The Electrician’ again and discovered a song completely different to this one that I realised what I had done, although not before completely tripping out. Both are great songs, so I got two for the price of one I guess.

Haim, ‘Hallelujah’ – The opening part of this song reminded me a lot of Danielle Haim’s songs on the new Vampire Weekend record. I’m quite into this. I picked ‘Hallelujah’ as the highlight on Halls’ new album, and Leonard Cohen is on this list too. I think I have entered the Twilight Zone.

Neil Young with Crazy Horse, ‘Shut It Down’ – This is a solid track, with everything you want from Crazy Horse. I can’t wait to check out the whole album.

The Modern Lovers, ‘Pablo Picasso’ – This song came on Spotify after I was listening to Leonard Cohen’s new album. Sometimes Spotify throws on something completely unexpected and my ears prick up. This was one of those times.

2019: Album By Album (October)

Just when I think there can’t possibly be any more great 2019 releases to come out this year, I discover more. There were some really strong albums that I checked out this month, and as always there’s a few albums in here which are favourites from my collection.

As always, be sure to scroll through my blog to see what else I’ve been listening to this year, and if you like following good playlists on Spotify you can follow mine here, and a enjoy a an ever-growing selection of songs that I’ve enjoyed listening to this year.

    Albums and EPs

Jenny Lewis, ‘On The Line’ – With references to Red Bull and Candy Crush, Jenny Lewis takes that old school country sound and brings it in to 2019. Ear worms galore. Highlight: ‘Wasted Youth’.

Pond, ‘Tasmania’ – Psychedelic rock/pop from Australia, a bit like MGMT when they’re at their most space rock. Highlight: ‘Daisy’.

Strange Ranger, ‘Remembering the Rocket’ – On their new album, Strange Ranger have matured and added new dynamics to their indie rock sound, with more synths and the inclusion of female vocals. Highlight: ‘Living Free’.

The Drink, ‘Company’ – This was the album that got me into The Drink having pleasantly stumbled upon them when looking for new bands to feature in a web-magazine I used to work for. Their sound fuses indie, folk, math rock, and pop to create a noodly yet organic backdrop for Dearhbla Minogue’s haunting falsetto. Highlight: ‘Demo Love’.

Cursive, ‘Get Fixed’ – Having only come back with Vitriola last year, Cursive aren’t wasting any of their time producing this follow up, and they’re not wasting ours either, as it hits hard. Highlight: ‘Horror is a Human Being’.

The Get Up Kids, ‘Something to Write Home About’ – Listening to this album again recently, I realised it was the first second wave emo album I heard, picking it up on CD off the back of one song, ‘Ten Minutes’. Second wave emo quickly became an obsession. Highlight: ‘I’m a Loner Dottie, a Rebel’.

Joey Fourr, ‘Velvet Realness’ = On this second album, Joey Fourr retains his lo-fi odd pop qualities but directs them towards more soulful and r&b-inspired vistas, with added sexual-feel good vibes (although they would have me spelling that ‘vibez’). Highlight: ‘Bath Tiem’.

Danny Brown, ‘uknowwhatimsayin?’ – I’ve been meaning to check out a Danny Brown album in full for a while now. A unique force in hip-hop right now. From what I have heard previously, this new album feel’s like an effort to strip things back a bit, creating something a little more mature. Highlight: (Honestly, every track is a highlight, which is a real credit to the songs Danny Brown is putting forward here ‘Dirty Laundry’.

Laverne, ‘Yarrow’ – Punk rock with a twist of indie. If old Parquet Courts had a baby with Idles. Steve Doesn’t recommended this to me, which is also his no. 1 album of 2018. Check out his website for loads of new music you didn’t know about here. Highlight: ‘Evil Thoughts’.

Mac Demarco, ‘Another One’ – ‘Another One’ feels like the point in Mac’s discography where he hit upon the laid back slacker pop sound he’s known for more recently, as opposed to the noodly indie awash with chorus pedals that he was known for previously. Highlight: ‘Another One’.

Foals, ‘Everything Not Saved Will Be Lost, Part 2’ – The more rockier counterpart to their two-album-output this year. It’s not quite as ballsy as I’d anticipated given the build up, but there’s some solid songs on here, and right now I’m preferring it to Part 1. ‘Dreaming Of’ harks back to the staccato math-pop that won me over back in the day. Highlight: ‘Dreaming Of’.

Jimmy Eat World, ‘Surviving’ – I wasn’t expecting to enjoy this new record from Jimmy Eat World as much as I did. It ventures into a new territory a lot, but there are also songs that retain their signature emo rock sound which was a pleasant surprise. Highlight: ‘Recommit’.

Refused, ‘War Music’ – I hadn’t heard any of Refused’s music beyond ‘New Noise’ before going into this album, so I can’t really compare it to their previous releases, so taking this album on complete face value, it’s a solid post hardcore record with a lot to offer. Highlight: ‘Malfire’.

Dry Cleaning, ‘Sweet Princess EP’ – Lofi indie with slight garage tendencies, whilst vocally made up of beautifully un-enthused, conversational, spoken lyrics, as if the vocalist is talking to herself. Highlight: ‘Phone Scam’.

Halls, ‘Infinite Loss, Pt. 1’ – On the first of two new EPs which seemed to have come out of the blue having thought that the chance of new Halls music was off the cards, so a pleasant surprise, the euphoric melancholy is retained as well as the experimental chamber vibes, whilst adding pop sensibilities. Highlight: ‘The Gift’.

Halls, ‘Infinite Loss, Pt. 2’ – I feel like these two new EPs will make up a complete album upon release as they are so undoubtedly tied together in their sound and lyrical themes. At the moment, the first part is the stronger of the two for me, but that’s not to take away from the fact this is a great selection of songs too. Highlight: ‘Face to Face’.

Remo Drive, ‘Natural, Everyday Extended Play’ – Straight off the back of ‘Natural, Everyday Degradation’, this cunningly titled EP sees the band continuing to mature with a sound that is very flattering on them. Highlight: ‘Nearly Perfect’.

    Individual songs I hadn’t heard before

Jenny Lewis, ‘The Voyager’ – An older song from Jenny Lewis, again with that country vibe, but maybe a little more indie-pop influence than her latest album.

Phoebe Bridgers, ‘Motion Sickness’ – Nice indie/singer-songwriter pop with very sweet vocals.

Jack Stauber, ‘Able’ – A song about being able in a grand total of 27 seconds.

Spaceships, ‘Tiny Fires’ – Dreamy metal-enthused post rock.

Horse Jumper of Love, ‘Volcano’ – Somewhere between slowcore and indie rock with a slight grunge undertone.

Grubs, ‘Dec. 15’ – Lofi, jangly, indie pop-rock with plenty of 90s influence.

Little Blue Thula, ‘I Could Never Understand’ – Emo/indie-tinged folk in the vein of Bright Eyes, et al.

Kitten, ‘Memphis’ Very 90s-inspired alt. pop, with added dial-up internet sound, for additional nostalgic effect. Very catchy.

Against Me!, ‘Spanish Moss’ – Unrelenting punk rock with a pinch of Americana.

White Reaper, ‘Might Be Right’ – Indie with saccharine melodies and plenty of hooks.

Wavves, ‘King of the Beach’ A mix of indie and garage rock, with some surf rock vibes to boot.

Signals Midwest, ‘A Glowing Light, An Impending Dawn’ – A healthy dose of emo revival, with those really nice ebbing guitar sounds.

Incubus, ‘The Warmth’ – What do you say about Incubus that hasn’t already been said? A nice looping guitar part in this.

Eliza & The Delusionals, ‘Just Exist’ – Summery indie. An absolute ear worm of a chorus.

Codes In The Clouds, ‘About Your Etiquette…’ – Twinkly, spacious post rock.

Portugal. The Man, ‘People Say’ – Noodly indie with pop sensibilities and The-Beatles-at-their-psych-pop-best vibes.

Short Fictions, ‘Really Like You’ – A mix of punk, emo, indie, and pop. Great song.

Iron & Wine, ‘Passing Afternoon – Demo’ – Forgive me, this is the first Iron & Wine song I’ve heard, and damn, it’s so good. What have I been doing?!

The Ataris, ‘Losing Streak’ – Pop punk that is totally true to its roots.

Spoon, ‘The Two Sides of Monsieur Valentine’ – Alt. rock/indie. Hadn’t heard these guys before.

Stick To Your Guns, ‘Amber’ – Crushing metalcore/post hardcore with a huge melodic chorus.

Yukon Blonde, ‘Stairway’ – Uplifting, anthemic indie-pop.

Beans On Toast, ‘M.D.M Amazing’ – A goofy folk song about being at a festival on drugs.

The Drink, ‘Roller (Marc Riley Session)’ – An amazing song with their signature idiosyncratic mix of indie with folk sensibilities. This live version is also great.

El Ten Eleven, ‘You Are Enough’ – Joyous and playful post rock with electronic elements. I really need to listen to more of this band now. So so good.

2019: Album By Album (September)

As Autumn settles in, I realise that despite how many 2019 releases are mentioned in this blog alone, just how many more great 2019 releases there are still to listen to before the year is out. I’ve also been listening to some of my favourite records from my collection. There’s not much more to say this month, other than it’s been a month packed full of amazing albums which have come to soundtrack my REM sleep.

If you like Spotify playlists, you might like my ‘2019: Album By Album’ playlist. It contains at least one song from every album I’ve enjoyed listening to this year, as well as individual tracks I’ve been digging. I’m continuously updating it too, so why not give it a ‘follow’ and join me on my journey.

Here’s everything I listened to in September.

    Albums and EPs:

beabadoobee, ‘Loveworm’ – Sweet, folky indie pop. Highlight: ‘Apple Cider’.

Guided By Voices, ‘Warp and Woof’ – Arty indie rock. There are a lot of cool moments on this album, but as there are so many songs, I feel those cool moments get a bit lost and forgotten about. Highlight: ‘Cohesive Scoops’.

Avey Tare, ‘Cows On Hourglass Pond’ – Subtle, chilled out, yet experimental and electronic arty stuff. So easy to sit back and listen to. Highlight: ‘HORS_’.

Bars of Gold, ‘Shelters’ – Ex Bear Vs. Shark. The singer’s signature growl is still there and so are the post hardcore/punk roots, but now they are fusing them with indie, experimental rock, and rock and roll. All killer, no filler. Highlight: ‘G’.

Remo Drive, ‘Natural, Everyday Degradation’ – Their debut, self-released album ‘Greatest Hits’ was a solid album in my humble opinion, but on their follow up, and debut for Epitaph Records, they manage to take their immediate brand of emo rock up a level, maturing their sound and drawing on new influences and dynamics. Like Bars of Gold’s output this year, this is another one where it’s really tough to pick just one song as a highlight. Highlight: ‘Around the Sun’ (there’s a reason it was picked as a single).

Drab Majesty, ‘Modern Mirror’ – Drawing on the electronics and new wave that made Gary Numan such a force, but lacking in the memorable songs that Numan had. Highlight: ‘The Other Side’.

Deep Elm Records, ‘Cover Your Tracks’ – Some of the best bands from the Deep Elm roster covering their favourite songs the label has put out. Plus an exclusive original song from Sounds Like Violence. What more could you want? Highlight: ‘Clair De Lune – ‘Angel on Hiatus (originally by Benton Falls)’.

Rust Ring, ‘Genuine Me’ – There’s something really interesting going on here with their grungey, indie punk, and the singer has a really unique voice, but unfortunately the more the album went on, the more I realised every song had the same formula and it got boring very quickly. Highlight: ‘Haircuts’.

Panda Bear, ‘Buoys’ – Another subtle yet arty electronic album from another third of Animal Collective. On this one the vocals are a bit bolder and more upfront in the mix, and the tracks use acoustic guitar loops as a base for experimentation and electronics. Highlight: ‘Master’.

Slaughter Beach, Dog, ‘Safe and Also No Fear’ – My first foray into this indie-folk project which lies somewhere between Pedro The Lion and Onelinedrawing, and I’m wishing I’d done it sooner. Tnere’s something very understated about these songs and his voice is an absolute pleasure to listen to. Highlight: ‘Tangerine’.

Bill Callahan, ‘Shepherd in a Sheepskin Vest’ – Another first, and another regret of not listening to someone much sooner. These folk songs are beautifully sparse, giving Bill’s rich voice space to round out them out. Highlight: ‘The Ballad of the Hulk’.

Lambchop, ‘This (Is What I Wanted to Tell You)’ – A unique mix of alt. country, chamber pop, indie, ambient, and electronic music. Highlight: ‘The New Isn’t so You Anymore’.

Metronomy, ‘Metronomy Forever’ – The new Metronomy album talks a lot about love. Instrumentally, there’s something quite nostalgic about these songs but I can’t quite put my finger on what exactly, perhaps it’s the 90s sounding guitars that appear every so often. Great album. Highlight: ‘Insecurity’.

Beirut, ‘Gallipoli’ – This is the first full album I’ve heard from Beirut and I’m in a love with it. A glorious mix of indie, folk, world music, and so much more, and their music has that cunning ability to make you feel euphoric melancholy and joy at the exact same time. Highlight: ‘When I Die’.

Stef Chura, ‘Midnight’ – A really strong album. Stef Chura fuses indie and garage rock with a singer-songwriter sensibility, with vocals that packed with passion. Highlight: ‘Degrees’.

Marika Hackman, ‘any human friend’ – I listened to this a few times, and when the songs hit they really do hit, but a great chunk of it didn’t make any impression on me – hopefully those songs will be growers, because there’s something very cool about Marika Hackman’s arty approach to indie pop. Highlight: ‘come undone’.

Parquet Courts, ‘Sunbathing Animal’ – I bought this album after seeing them play ‘Bodies Made Of’ on David Letterman (I think), and was compelled by their performance and their slacker take on punk and indie rock. Highlight: ‘Bodies Made Of’.

Jenny Hval, ‘The Practice of Love’ – Jenny Hval is a unique voice. On her 2019 release, she explores our relationship with each other, with ourselves, with the earth, and growing older. Highlight: ‘Lions’.

Snoop Dogg, ‘I Wanna Thank Me’ – ‘I Wanna Thank Me’ retains a lot of the G-funk roots that brought Snoop Dogg into the limelight, and bringing it up to speed with a more contemporary hip hop influence. At 22 tracks/1 hour 15 minutes, I do feel this album could have been condensed to half the size to retain my consistent quality throughout. Highlight: ‘What U Talkin’ Bout’.

Bonnie ‘Prince’ Billy, Bryce Dessner, eighth blackbird – When We Are Inhuman – A collection of traditional folk songs and Bonnie ‘Prince’ Billy songs, arranged for eighth blackbird’s modern classical spin on them. I didn’t hate it, but it didn’t quite hit the spot for me. Highlight: ‘Beast For Thee’.

Weezer, ‘Weezer (Black Album)’ – Curiosity got the better of me. I caved. I’m sorry. I needed to know what the new Weezer album sounded like in full. I was largely disappointed, as I expected. ‘High As A Kite’ is an amazing song though. Highlight: ‘High As A Kite’.

The Messthetics, ‘Anthropocosmic Nest’ – Featuring Brendan Canty and Joe Lally from Fugazi, aka one of the best rhythm sections to ever exist. In this new project, instrumental punk meets jazz, post rock, math rock, electronics, and a healthy dose of experimental-ism. Highlight: ‘Scrawler’.

Father John Misty, ‘I Love You, Honeybear’ – A witty, satirical, self-deprecating album of love for his partner and despair for society. Highlight: ‘The Ideal Husband’.

Kindness, ‘Something Like A War’ – I really enjoyed Kindness’ debut album. I’m still to get around to checking out his second album, but on this third album, it feels like the funkiness and immediacy that drew me to Kindness originally isn’t here, at least, not in the same way. ‘Raise Up’ feels like the exception to this rule. Highlight: ‘Raise Up’.

Oso Oso, ‘basking in the glow’ – Oso Oso mix emo with indie rock, pop punk, and unabashed pop hooks. I didn’t like it at all on my first listen because it felt too corny. Before I knew it I realised I was on my fourth listen in a row. Highlight: ‘Dig’.

LVL UP, ‘Return to Love’ – Indie rock on the slacker side, with some grunge moments thrown in for good measure. What I also love about this band, is that their are three lead singers, and their vocal styles are so sync you wouldn’t know the singer changes from one song to the next. Highlight: ‘Five Men on the Ridge’.

Black Midi, ‘Schlagenheim’ – They should have won the Mercury Prize this year. Although you could pull apart their sound and list their influences if you really wanted to, their schizophrenic art rock, which chaotically swings between spasm-ing, stuttering, and brooding, and how in one song the listener is pulled in a thousand directions, is so smart – it’s great to see a band like this getting Mercury Prize nominee-level exposure. Highlight: ‘bmbmbm’.

One True Pairing, ‘One True Pairing’
– I’m in love with this new project from Tom Fleming of Wild Beasts fame. In One True Pairing he applies his arthouse-operatic thespian croon to a landscape of alternative electronic music, with steady guitars and syncopated drum beats steering the way. This is going to land high in my top releases of 2019. Highlight: ‘Zero Summer’.

    Individual songs I hadn’t heard before

The 1975, ‘People’ – I was curious as to the heavy direction they had gone in with this new single. It’s quite a turn, although a little formulaic.

Weezer, ‘The End Of The Game’ – It had to better than the ‘Black Album’, and in many ways it is. It’s an improvement, at least.

Panda Bear, ‘Jabberwocky’ – Spotify put this on for me after listening to his ‘Buoys’ album. A similar fare, but less acoustic based, and much punchier.

Jenny Hval, ‘Why This?’ – Spotify put this on for me after listening to her ‘The Practice of Love’ album. Very nice. Very ethereal.

Purple Mountain, ‘That’s Just The Way That I Feel’ – I hear Bob Dylan and ‘Death of a Ladies Man’-era Leonard Cohen here. I’ll be checking out the full album.

Brightside, ‘Just Like Dancing’ – Indie rockers Brightside are back with this belter, rammed with hooks – the type of indie you want to dance to, funnily enough.

2019: Album by Album (August)

As we come into Autumn, I’ve found my mission to document everything I listen to this year, with emphasis on checking out things I hadn’t listened to before, gradually being lead more and more by listening to this year’s new releases. There have been so many great records released this year already which have passed me by. I currently have a list of about 50 to check out and there’s still some big records to be released this year as it is. I’m not sure I will get through all of them, but I’m giving it a good go. I will post my ‘Top Albums of 2019’ list at the end of the year.

If you have Spotify, you can follow my ‘2019: Album by Album’ playlist, which includes a random track from every album and EP, or individual song I’ve listened to since January 1st (apart from ones which I disliked or the track was unavailable), and which I’ll keep adding to.

    Albums and EPs

Mates of State, ‘Our Constant Concern’ – Husband and wife, synth and drums, indie pop duo with lots of feel-good vibes. Highlight: ‘Uber Legitimate’.

Ada Lea, ‘what we say in private’ – Cool art pop which indie rock sensibilities. Bat to Lashes comes to mind. Highlight: ‘what makes me sad’.

Planes Mistaken For Stars, ‘Prey’ – Post hardcore that sounds like it’s had gasoline poured over it and been set alight. Highlight: ‘Fucking Tenderness’.

Mini Mansions, ‘Guy Walks Into A Bar…’ – They mix psychadelic pop, indie, glam rock, new wave, post punk, and art rock, and it sounds awesome. A strong follow up to 2015’s ‘The Great Pretenders’. Highlight: ‘GummyBear’.

Blood Orange, ‘Angel’s Pulse’ – Picking up from where 2018’s ‘Negro Swan’ left off, but I don’t feel there’s that much memorable about this one. I’m generally a big fan of Devonte Hynes, so hopefully this will grow on me. Highlight: ‘Benzo’.

Holding Patterns, ‘Endless’ – A bold post hardcore/punk rock record but just failed to have that ‘lift off’ moment for me. Highlight: ‘At Speed’.

Nirvana, ‘Nevermind’ – My daughter often asks me to put on something heavy. She had yet to hear to Nirvana, so ‘Nevermind’ felt like a good entry point. Highlight: ‘In Bloom’.

Emmy The Great, ‘Virtue’ – A more electric, and more eclectic folk-pop record than her, with themes of existence and being. Highlight: ‘Iris’.

Cultdreams, ‘Things That Hurt’ -Under a new moniker, the band formerly known as Kamikaze Girls retain their riot grrrl influences but invite in some shoegaze and dream pop to add more dynamics to their sound. Highlight: ‘Born an Underdog, Still Living One’.

Lou Reed, ‘Lou Reed’ – Oddly, his debut album has more in common with his post-Transformer and Berlin output with those rock and roll, blues, and soul influences more at the forefront. Highlight: ‘Ride Into the Sun’ (the lyric ‘…but if you’re tired and you’re sick of the city, remember that it’s just a flower made out of clay’ is perfect).

Lou Reed, ‘Transformer’ – Both a blessing and a curse, ‘Transformer’ is the album that was never meant to be an album, but the soundtrack to a musical that never made it to the stage. As a result, putting the songs out as an album with David Bowie producing ended up pigeon-holing Lou, and his output thereafter was constantly criticised. Highlight: ‘Andy’s Chest’.

Lou Reed, ‘Berlin’ – The album that Lou really wanted to make. About a couple destroyed by drugs and violence. Highlight: ‘Sad Song’.

Lou Reed, ‘Sally Can’t Dance’ – This fourth album sounds like a culmination of the first three. Fusing rock and roll, soul, jazz, blues, and grit. Highlight: ‘Kill Your Sons’.

Cave In, ‘Final Transmission’ – Of the little bits of Cave In I’ve heard in the past, I’ve never been drawn to check out more, but seeing as everyone has been raving about this new release I thought I would give it ago – perhaps I had missed something. Alas, it’s just not my cup of tea. Highlight: ‘All Illusion’.

where is my spaceship, ‘Never Unhappy’ – Chaotic, noisy, rowdy pop punk with a touch of ’emo revival’. Highlight: ‘okay’.

Narco Debut, ‘Strange & Ever-Changing Depths’ – I enjoyed the odd song on their last EP which I checked out earlier this year, so thought I’d give the album go. It fuses prog, pop, rock, indie, math rock, and post rock, and like the EP I found I enjoyed about 50% of it. Highlight: ‘Yukon’.

Prince Daddy & the Hyena, ‘Cosmic Thrill Seekers’
– I’ve been keeping a list of all the 2019 releases I’ve listened to. Up until this month the top 10 had been impenetrable. Along with the Cultdreams record, this album finally changed that. I can’t get enough of this epic record documenting the cycle of the singer’s mental health. Each song rolls into the other, with the album ending on the same palm-muted notes it started on, emphasising that cycle. A fusion of punk, indie, emo, and theatrics. Highlight: ‘Breather’.

Otoboke Beaver, ‘Itekoma Hits’
– I love stuff like this. Music that sounds naive, but is actually really well crafted, stuff that’s bonkers and makes me laugh, but yet despite sounding like it’s going to fall part, keeps itself together. This band fuse garage rock, math rock, noise rock, pop, girl power, and madness. Highlight: ‘6 day working week is a pain’.

Wicca Phase Springs Eternal, ‘Suffer On’
– Mixing folk, indie, and electronic, with earnest and on-the-sleeve lyrics, this record is brooding, moody, and moving. Highlight: ‘Together’.

French Vanilla, ‘How Am I Not Myself?’
– Fun and energetic Talking heads-esque art pop. Highlight: ‘Real or Not’.

Alien Ant Farm, ‘truANT’
– Alien Ant Farm got lumped into the nu-metal cannon, which had it’s inevitable curfew. However, of all those bands, if you listen to a full album, it feels like they outgrew their contemporaries pretty quickly. By the time this second album hit, nu-metal was wringing out its last dregs, and so it didn’t get the time and attention it deserved. Highlight: ‘These Days’.

    Individual songs I hadn’t heard before

Broker, ‘Big Storm Coming’, ‘Heaven’s Gunships’ – These initial offerings from Broker are both captivating and brooding, yet immediately accessible, finding their own place amidst the art rock genre. I can’t wait to hear more.

Jack Stauber, ‘Cupid’, ‘Out of the Box’, ‘Hope’, ‘Coffee’, ‘I Hope You Miss Me in Heaven’, ‘Love Cookie’, and ‘Everything Bagel’ – I can’t get enough of Jack Stauber’s idiosyncratic micropop. Recommended if you like The Mighty Boosh, Luxury Comedy, Don’t Hug Me, I’m Scared, and things like that.

Mates of State, ‘Uber Legitimate (original 2001 version)’ – As you can see above, ‘Uber Legitimate’ is my favourite song from their album ‘Our Constant Concern’. When I was looking it up on Youtube to post here, I found this original version of the song played on the piano which I was unaware of.

Haim, ‘Summer Girl’ – There’s definitely a summery vibe to the new Haim single, with some jazz influence, and a Lou Reed-esque chorus. Fitting, seeing as I’ve been listening to a lot of Lou Reed this month.

On The Might Of Princes, ‘For Meg’ – An awesome, powerful post hardcore track with some cool chanting at the beginning.

Shield Your Eyes, ‘Drill Your Heavy Heart – Shield Your Eyes mix blues with noise, math rock, and heavy spasming. There are few bands quite like this.

Guided By Voices, ‘Bury the Mouse’ – Extremely catchy, idiosyncratic indie rock. Will be checking out the new album.

Knapsack, ‘Katherine The Grateful’ – More of that 90s emo you’ll keep finding me listening to. Great song.

Marika Hackman, ‘wanderlust’ – A chilled indie song. I will be checking out her new album as well.

Pixvae, ‘La Fuga’ – Fancy some traditional South Colombian music fused with math rock? No problem.

Blink 182, ‘Darkside’ – I have yet to make up mind about post-Tom Blink 182 but I do feel they are undercutting themselves in terms of what they’re all capable of writing in order to remain relevant to the younger fans.

And lastly, whatever THIS is.